February 12, 2009
New Delhi
When she said I couldn’t go, the tears jumped up and knocked smartly on the back of my throat, and that made the realization easier. One of those little revelations, the ones that are lived over and over again.
So I left, and leaving, as it often does, allowed me to decide, on an upbeat swing note for the music passing between my ears, that the place I was leaving had succeeded in becoming another home. That I was leaving something worthy of being left with some measure of respect, with an ironic smile for the memories and expectations, with a bustle of importance, maybe with a little ritual. There’s always a little ritual, with home.
There was a mustard yellow tent on a rickety set of plywood risers for stacking crates, smoothed over with collapsed cardboard boxes and glowing in a populated parking lot next to a school and a church and a hundred thousand houses with calendars opened to August and doors with bright orange x’s marking the bodies found inside. There was another tent, an earlier one that I sometimes forget, but it was surrounded by the most brilliant green and inhabited by a first breath.
There was a bunk – a number of bunks – but there was a closet as well, and a cot on a porch with the indelible inedible orchard trees framing Orion and illicit hand-holding pairs of fleeces and patchily inbred deer passing in the streetlights leading towards the communal washrooms down the path, and in the moonlight leading toward the private beach at the bottom of the hill.
There was a flag – plain blue, with the globe spinning softly in the center in dull greens and grays and wrapped in white ribbons – that hung above each one, over a desk or a bed or a bricked-in fire place, and a collection of oddities – a home-made incense holder and a decorative bird’s nest and stuffed microbes and a heart-shaped puzzle box holding a cheap white plastic bead necklace – that sat in front of each collection of books on each consecutive set of shelves. Next to the flag was Moby, and once, next to Moby was Ani.
There was a cave, and a lookout, and there were castles for princesses and studios for artists. One the other side, there was a cabin.
There was a tree, but I can’t tell you where, or why.
There was a cot in a common room, but it only became mine when the other lights were out and I could see the dining table in the moonlight through the mosquito netting and the borrowed refrigerator hummed companionably at me.
This morning, there was thick light slicing the polluted air into heavenly strips hanging from lush, stunted trees. There was music blasting wordlessly from my lips as I passed elderly couples in salwars and dotis meandering past the peacocks, young couples in multi-pocketed jeans and sparkle shirts cuddling on benches, a man doing push-ups between two rocks, a woman in green seated on a wide balustrade and saluting the sky. The sounds rolled down my legs, picked up my feet, and marionetted me to the tent and the roof and the cabin, to the flag and the sarong repeatedly laid out on blue pleather benches rumbling softly past the lives of a million unknown faces.
There are vehicles that become home, and people, and rooms rented for a night. There are communal kitchens, and these always have dish-washing tension. There are bits, scattered and scrappy but planted securely and distributed in the seven seas and in the one tiny stream that connects the eighth.
Scraps: On the other side of the tents was a laboratory with a white couch for tossing winter coats. There was a studio by a lake, and on a roof, and there was pattering in an old school, but somehow it’s the changing room, the bit of transformation from street clothes, past a naked body, and off to lycra-blended cotton and a place dedicated to the glory of movement that always felt the most real. There was a Ville and a World and a Land and a Pad, and there will be many more.
New Delhi
When she said I couldn’t go, the tears jumped up and knocked smartly on the back of my throat, and that made the realization easier. One of those little revelations, the ones that are lived over and over again.
So I left, and leaving, as it often does, allowed me to decide, on an upbeat swing note for the music passing between my ears, that the place I was leaving had succeeded in becoming another home. That I was leaving something worthy of being left with some measure of respect, with an ironic smile for the memories and expectations, with a bustle of importance, maybe with a little ritual. There’s always a little ritual, with home.
There was a mustard yellow tent on a rickety set of plywood risers for stacking crates, smoothed over with collapsed cardboard boxes and glowing in a populated parking lot next to a school and a church and a hundred thousand houses with calendars opened to August and doors with bright orange x’s marking the bodies found inside. There was another tent, an earlier one that I sometimes forget, but it was surrounded by the most brilliant green and inhabited by a first breath.
There was a bunk – a number of bunks – but there was a closet as well, and a cot on a porch with the indelible inedible orchard trees framing Orion and illicit hand-holding pairs of fleeces and patchily inbred deer passing in the streetlights leading towards the communal washrooms down the path, and in the moonlight leading toward the private beach at the bottom of the hill.
There was a flag – plain blue, with the globe spinning softly in the center in dull greens and grays and wrapped in white ribbons – that hung above each one, over a desk or a bed or a bricked-in fire place, and a collection of oddities – a home-made incense holder and a decorative bird’s nest and stuffed microbes and a heart-shaped puzzle box holding a cheap white plastic bead necklace – that sat in front of each collection of books on each consecutive set of shelves. Next to the flag was Moby, and once, next to Moby was Ani.
There was a cave, and a lookout, and there were castles for princesses and studios for artists. One the other side, there was a cabin.
There was a tree, but I can’t tell you where, or why.
There was a cot in a common room, but it only became mine when the other lights were out and I could see the dining table in the moonlight through the mosquito netting and the borrowed refrigerator hummed companionably at me.
This morning, there was thick light slicing the polluted air into heavenly strips hanging from lush, stunted trees. There was music blasting wordlessly from my lips as I passed elderly couples in salwars and dotis meandering past the peacocks, young couples in multi-pocketed jeans and sparkle shirts cuddling on benches, a man doing push-ups between two rocks, a woman in green seated on a wide balustrade and saluting the sky. The sounds rolled down my legs, picked up my feet, and marionetted me to the tent and the roof and the cabin, to the flag and the sarong repeatedly laid out on blue pleather benches rumbling softly past the lives of a million unknown faces.
There are vehicles that become home, and people, and rooms rented for a night. There are communal kitchens, and these always have dish-washing tension. There are bits, scattered and scrappy but planted securely and distributed in the seven seas and in the one tiny stream that connects the eighth.
~
Scraps: On the other side of the tents was a laboratory with a white couch for tossing winter coats. There was a studio by a lake, and on a roof, and there was pattering in an old school, but somehow it’s the changing room, the bit of transformation from street clothes, past a naked body, and off to lycra-blended cotton and a place dedicated to the glory of movement that always felt the most real. There was a Ville and a World and a Land and a Pad, and there will be many more.